-----Béla Anton Leoš Fleck was born in New York City, New York, and is named after famous Hungarian composer Béla Bartók, Austrian composer Anton Webern, and Czech composer Leoš Janáček. He was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies.
Béla received his first banjo at age fifteen from his grandfather when he was 15. Later, Fleck enrolled in New York City's High School of Music and Art where he studied the French horn. He was also a banjo student under Tony Trischka.
Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle, Pat Enright, and Mark Schatz in Tasty Licks. In 1979, Fleck released his first solo album - Crossing the Tracks - and made his first foray into progressive bluegrass composition.
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Fleck played on the streets of Boston with bassist Mark Schatz; and in 1981, the two, along with guitarist/vocalist Glen Lawson and mandolin great Jimmy Gaudreau, formed Spectrum: the Band. Fleck toured with Spectrum during 1981. That same year, Sam Bush asked Fleck to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, Drive. In 1988, It was nominated for a Grammy Award in the then first-time category of "Best Bluegrass Album."
During the 1980s Fleck and Bush also performed live occasionally with Doc Watson and Merle Watson in various bluegrass festivals, most notably the annual Telluride Bluegrass Festival.
Béla Fleck and Victor Wooten formed Béla Fleck and the Flecktones in 1988, along with keyboardist and harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who played synthesizer-based percussion. Levy left the group in 1992, making the band a trio until saxophonist Jeff Coffin joined the group onstage part-time in 1997, eventually becoming a permanent member.
His first studio recording with the band was their 1998 album Left of Cool. In 1996, he appeared on the tribute album to Hank Marvin, one of his influences, and The Shadows "Twang" playing a Shadows UK hit from the 1960s, "The Stranger."
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, spoken word, composition, and arranging.
|Photo by Kasra Ganjavi|
The album includes selections such as Chopin's Etude Op. 10 No. 4 in C# minor, Debussy's Doctor Gradus ad Parnassum, and Paganini's Moto Perpetuo (from which is derived the name), as well as more lyrical pieces such as the first movement of Beethoven's Moonlight Sonata, two of Chopin's mazurkas, and two Scarlatti keyboard sonatas.
|Bela Fleck and his wife, Abigail Washburn|
Fleck says Chick Corea, Charlie Parker, and the aforementioned Earl Scruggs have influenced his playing style. He regards Scruggs as "certainly the best" banjo player of the three-finger style.
With the Flecktones and solo, Fleck has appeared at Telluride Bluegrass Festival, Merlefest, Montreal International Jazz Festival, Toronto Jazz Festival, Newport Folk Festival, Austin City Limits Music Festival, Shakori Hills, Bonnaroo, and Jazzfest, among others.
He has also appeared as a sideman with artists ranging from Tony Rice to Dave Matthews Band to Ginger Baker and Phish. One notable appearance with the Dave Matthews Band, along with the rest of the Flecktones, resulted in the longest singular live song in DMB history, #41, at 32:03 in length.
|Fleck and Victor Wooten|
|With Chick Corea|
Fleck has also played with Malian ngoni (ancestor of the banjo) player Cheick Hamala Diabate.
In 2009, an independent film documentary of Fleck's visit to Uganda, Tanzania, The Gambia, and Mali, was released to limited run engagements in US cities. It was filmed during Fleck's year off from touring with the Flecktones.
For more about Béla, visit his Website at -